Lesbian Bed Death and Other Lies book cover by Blair Lennox

Off the Record (continued)

Lesbian Bed Death and Other Lies — Bonus Chapter
by Blair Lennox


I looked up at her from my knees—this woman, this impossible, beautiful, chaotic woman who wore Armani with no shirt and stole my jewelry and planned sexual contingencies during technical briefings—and she looked down at me with those brown eyes, the copper streak falling across her forehead, the lip ring catching the vanity light, and I thought: fourteen months. I have loved this woman for fourteen months and I still cannot believe she lets me do this.

I unbuttoned her jeans. My fingers were steady—the surgeon’s hands, the therapist’s hands—and the steadiness was a choice, not a condition. My knuckles grazing her stomach as the denim parted, my thumbs hooking into the waistband, the slow downward pull that exposed her hip bones, the soft skin below her navel, the dark cotton underwear that was already soaked through.

“You’re wet,” I said. Not a question. A diagnosis.

“I’ve been wet since the green room. Since you put on that blazer and those glasses and I knew you were going to spend the entire segment trying not to look at my chest and I was going to spend the entire segment making it impossible.”

“You succeeded.”

“Your jaw did the thing. The thing it does when you want me and you’re pretending you don’t. I’ve been watching that tell for fourteen months, Harper. It’s my favorite frequency.”

I turned my head and kissed her palm. Then I pulled her underwear down.

She gasped. I pressed my mouth to her hip, tracing a path inward while her hand found my locs and wound through them.

“Five minutes.”

“Then please stop being thorough and just—”

“Thorough is what I do.”

“Thorough is going to make me scream in a building full of network executives.”

“Then you’ll have to be quiet.”

“I am historically, categorically, constitutionally unable to be quiet when you—oh fuck—”

I put my mouth on her. Not slow. Direct, focused, relentless pressure, my tongue flat against her clit, the specific rhythm I’d refined every night since month two—the one that made her thighs shake and her vocabulary reduce to my name and the word fuck in various configurations.

I slid two fingers inside her. She was so wet the entry was frictionless—silk and heat and the immediate clench of her body around me. I curled my fingers on the first stroke—forward, firm—and the sound she made was not quiet. The door rattled behind her.

I matched her pace. Tongue and fingers working in concert. She trusted me with her pleasure the way she trusted me with her pain: completely, specifically.

“Harper—I’m going to—”

I pulled back. Just enough. Her orgasm receded. She made a sound that was half sob, half curse.

“Not yet,” I said against her, and the words vibrated against her swollen flesh and she whimpered.

“Because I want you to remember this.” I looked up at her from between her thighs. “I want you to sit on that couch for the next segment with my chain on your chest and my taste on your lips and the memory of this in your body. I want you to answer Karen’s questions about intimacy while your thighs are still shaking. And I want you to know that tonight, when we get home, I’m going to do it again. Slowly. For hours. Without a timer.”

“Now,” I said, and pressed my mouth to her with everything I had.

Her orgasm hit her like a wave breaking. Her back arched off the door. Her thighs clamped around my head. She came with my name bitten off against her own wrist, and I gripped her hips hard enough to leave marks that would match this morning’s.

I gentled her through it. She laughed—the broken laugh, the best laugh.

“Three minutes. I’m ahead of schedule.”

“You absolute menace.”

She fixed herself in four seconds. Then I caught her arm.

“I have something else.” From my inside pocket I pulled a folded piece of paper. A fantasy submission. Anonymous.


A woman falls in love on a podcast. Not with the audience. Not with the downloads. She falls in love with the voice on the other side of the table. The one that challenges her and terrifies her and makes her want to be better than every framework she’s ever built.

She falls in love. She doesn’t ruin it. She puts down the clipboard and buys a coffee maker and reorganizes the shower caddy and learns to be in the kitchen without a script.

This is the fantasy: A life. Ordinary and extraordinary. Morning coffee and Sunday sex and arguments about playlists and the specific, unspectacular courage of choosing the same person every day in rooms with no audience.

Not anonymous. Not anymore.

—Harper


Cleo’s hand was shaking. “You signed it.”

“I signed it.”

“You never sign anything without a framework.”

“I’m learning.”

“I wanted you to have it in writing. Not spoken—not something that fades. Written. Signed. The most Harper Wren way of saying: this is real, and I’m not afraid of it anymore, and I choose you, and the choosing is not a framework. It’s a fact.”

She kissed me. A slow, full, this is my life and you are in it kiss. I held her face in both hands and kissed her back with every ounce of fourteen months.

She folded the fantasy submission and slipped it into her inside pocket. Against her heart.

We walked back onstage. Under the couch, our fingers were laced together. My chain glinted on her chest.

No scripts. Just signals.


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