Straight Until Sleepover by Aurora North - Bonus Chapter

Straight Until Sleepover — Bonus Chapter

The Dock — Night Two
by Aurora North


An exclusive bonus scene set during the one-month anniversary cabin trip. Too hot for Amazon.

Content Warning: This scene contains explicit FF sexual content including oral sex, fingering, multiple orgasms, dirty talk, and outdoor intimacy. Intended for readers 18+.


The Dock — Night Two

Maya

The lake holds the last of the light like a secret.

We have been sitting on the dock for an hour, watching the sky cycle through its colors — gold to amber to rose to violet — and now it is that deep navy that only exists in places without streetlights. Stars are coming in. Not city stars, scattered and faint, but cabin stars — thick, reckless, smeared across the sky like someone spilled a jar of them.

Nadia’s hand is in my hair. She does this now — touches me casually, constantly, like she is making up for twelve years of not touching me. Her fingers card through the strands from my temple to my nape, slow and rhythmic, and every pass sends a cascade of warmth down my spine that pools low in my stomach and stays there, building.

My head is on her shoulder. My hand is on her thigh. We are wearing hoodies and not enough underneath and the night air is cool against my bare legs.

One month. It has been one month since the first trip to this cabin — the trip that cracked my life open and rebuilt it in a shape I did not know I needed. One month of waking up in Nadia’s bed. Of holding her hand on the street. Of saying my girlfriend to my mother, my sister, my coworker, the barista who noticed the hickey on my collarbone and raised an eyebrow and said good for you.

One month, and I still cannot believe I almost missed this.

“Remember the last time we sat here?” I ask.

“You held my hand and I nearly had a cardiac event.”

“I held your hand and I thought I was being brave.” I laugh. “I had no idea what brave looked like.”

“And now?”

I lift my head. Look at her. The starlight catches in her eyes, turning them liquid, and her face is open and calm and so beautiful that my chest physically aches. This woman. This patient, stubborn, devastating woman who waited twelve years for me to see her and never once gave up.

“Now I know exactly what brave looks like,” I say. “She is sitting right next to me.”

Something moves across her face — soft, raw, the look she gets when I say something that lands in the place she used to protect. She does not protect it anymore. Not from me.

She kisses me. Soft at first, tasting like the wine we had with dinner, and then not soft. Her hand tightens in my hair and tilts my head and the kiss deepens and I feel it everywhere — in my chest, my stomach, between my legs, in the marrow of my bones. Every time. Every single time she kisses me, my body responds like it is the first time. Like my nervous system has been rewired to detonate at the specific frequency of Nadia Sloane’s mouth.

“Inside?” she murmurs against my lips.

“No.”

She pulls back. One eyebrow raised. “No?”

“Here. I want you here. On the dock. Under the stars. I want the whole lake to know what you do to me.”

Her eyes go dark. The composed, measured Nadia — the literary agent, the careful negotiator, the woman who edits manuscripts with a red pen and a surgeon’s precision — dissolves. What is left is the woman underneath. Hungry. Certain. Incandescent with want.

“On the dock,” she repeats. Not a question. A confirmation.

“On the dock.”

I pull the hoodie over my head. I am braless underneath — I stopped wearing bras at the cabin approximately four hours after we arrived, because Nadia’s reaction every single time is worth any amount of chill. The night air hits my bare skin and my nipples tighten instantly and I hear Nadia’s breath catch — that sharp little intake, involuntary and raw — and that sound is the most powerful drug I have ever encountered.

“You are going to freeze,” she says. Her voice has dropped to that register. The low one. The one that makes my thighs press together and my pulse spike and my whole body lean toward her like a compass needle swinging north.

“Then keep me warm.”

She pulls her own hoodie off. Spreads it on the dock behind me like a blanket. Takes my shoulders and lays me back against it — my bare shoulders on the soft cotton, the weathered wood beneath, the infinite sky above — and she hovers over me on her hands and knees and looks down at me with an expression that makes me forget how to breathe.

“God, Maya.” Her voice is already wrecked and she has not even touched me yet. “You are — you are so —”

“Yours,” I say. “The word you are looking for is yours.”

She makes a sound — something between a groan and a prayer — and lowers her body onto mine. Skin to skin from chest to hip. Her warmth against my cold. Her mouth finds my neck and she kisses the hollow of my throat, the ridge of my collarbone, the swell of my breast, and each point of contact is a spark on dry tinder.

She takes my nipple into her mouth and I arch off the dock with a gasp, my hand slamming flat against the weathered boards. The combination of the cold night air and her hot, wet mouth is electric — sensation amplified, every nerve on fire, my body responding to her with a speed and intensity that still staggers me after a month of this. She knows exactly where to lick. Where to bite. Where to press the flat of her tongue and hold until my hips roll involuntarily.

She switches to the other breast. Gives it the same devastating attention — circling, sucking, grazing her teeth across the peak — while her hand slides down my stomach. Slowly. Fingertips trailing over my ribs, my navel, the quivering plane of muscle below it. She reaches the waistband of my shorts and does not hesitate. Her hand slides under the elastic, under my underwear, and her fingers meet me bare.

We both groan.

“You are soaked,” she breathes against my breast. Not performative. Genuine awe.

“I have been wet since you put your hand in my hair on the dock. That was an hour ago, Nadia. An hour of you stroking my hair while I sat next to you pretending I was not losing my mind.”

“An hour?

“Welcome to dating me. I am permanently aroused and it is entirely your fault.”

She laughs against my skin — low, warm, delighted — and then her fingers find my clit and the laughter dies in my throat, replaced by a moan so loud it echoes across the water. There are no neighbors out here. No walls, no ceilings, no closed doors. There is nothing between us and the sky except starlight and the sound of my voice saying her name.

I intend to be very, very loud.

She works me with her fingers — slow circles on my clit, precise, relentless, the rhythm she has learned makes me shake. She reads my body the way she reads manuscripts — with total attention, adjusting in real time, finding the exact pressure and pace that turns me from coherent to incoherent. I am lying on a dock under the Catskill sky with my shorts shoved down my thighs and my girlfriend’s hand between my legs and I am so far from the woman who packed a suitcase three months ago that I could weep with gratitude.

I do not weep. I moan her name so loud a bird startles from the trees.

“Inside,” I gasp. “Nadia — please — I need you inside me —”

She pushes two fingers into me and my spine arches off the dock and my nails find her shoulders and dig in. She fucks me slowly, deeply, curling forward on every stroke, her thumb maintaining that devastating rhythm on my clit. The wet, rhythmic sounds of her hand fill the silence between my moans — obscene and perfect, amplified by the water, carrying across the lake like music.

“More,” I beg. “Another finger. I want to feel full. I want to feel all of you.”

Three fingers. The stretch is exquisite — that bright edge between pressure and pleasure that makes my vision blur. I cry out and she watches my face with dark, focused eyes, cataloging every flicker of sensation, adjusting angle and depth until she finds the spot that makes me scream.

“Tell me,” she says, her voice low and rough. “Tell me how it feels.”

“Like coming home,” I say, and I mean it — I mean it the way I have never meant anything, with my whole body and my whole heart — and the look on her face when I say it — cracked open, devastated, flooded with a love so enormous it does not fit inside one person — pushes me over the edge.

“I am close,” I whisper. “Do not stop. Please do not — right there — fuck —”

I come with the stars above me and the lake below me and her name in my mouth. It crashes through me in waves — hard, full-body, the kind that whites out my vision and locks my thighs and bows my back off the dock until I am suspended between her hand and the sky. She holds me through every second of it, her fingers buried deep, her mouth pressed against my forehead, whispering my name like a prayer while I shake apart beneath the stars.

The aftershocks roll through me for a long time. She gentles her hand. Slows. Eases me down with the patience of a woman who has spent twelve years learning how to wait.


When my breathing steadies, I pull her up and kiss her — deep and slow, tasting the wine on her tongue and feeling the dampness of her fingers against my jaw and not caring. I take her hand and bring it to my mouth. Lick her fingers clean, one by one, watching her face while I do it.

The sound she makes is destroyed.

“My turn,” I say.

“Maya, we are on a dock —”

“I am aware. Lie down.”

She lies down. She never argues with that voice — the low, certain one I discovered in the cabin and have been weaponizing ever since. The composed, unflappable Nadia Sloane does exactly what I tell her when I use that voice, and the power of it is intoxicating.

I strip her shorts and underwear off in one motion. She lifts her hips to help and then she is bare on the dock — dark hair fanned across the hoodie, long legs silver in the starlight, the lean architecture of her body laid out beneath me like something sacred. She is wet — I can see it glistening on her inner thighs — and the sight of her arousal, the physical evidence that my body and my mouth and my wanting did this to her, makes my own core clench with a hunger I spent twenty-nine years not understanding.

I understand it now.

I kiss my way down her body. I take my time because she took hers, because this is what we do now — we give each other time, attention, the slow and thorough devotion that neither of us received from anyone else. I kiss her throat. Her collarbone. The valley between her breasts, where I press my tongue to her sternum and feel her heartbeat jackhammer against my lips. Her stomach, the muscles contracting under my mouth. Her hip bone, where I bite gently and she gasps and her hand fists in my hair.

I settle between her thighs. Look up at her. She is propped on one elbow, looking down at me with an expression that would have terrified me three months ago and now feels like oxygen — raw need, complete trust, the specific vulnerability of a woman who has handed someone the power to destroy her and is not afraid.

I put my mouth on her.

She cries out. Loud — louder than she would ever be in the apartment, louder than she allows herself in any space with walls and neighbors and the self-consciousness that civilization demands. Out here there is nothing but sky and water and the woman she loves between her legs, and she lets go of every restraint she has ever held.

The sound carries across the lake and disappears into the trees and I feel a savage, joyful satisfaction at making the most composed woman I have ever known scream into the wilderness.

I take my time. I have learned her body like a language over the past month — fluently, obsessively, with the focused dedication of a woman who wasted thirty years not knowing she could speak it. I know the long, flat stroke that makes her writhe. The tight circle with the tip of my tongue that makes her grab fistfuls of the dock boards. The gentle suck that makes her hips lift off the ground and her voice go utterly silent because the sensation is too intense for sound.

I give her all of it. Every technique, every rhythm, every trick I have learned from studying her body like my life depends on it. My tongue works her clit in tight, relentless circles while I slide two fingers inside her — slowly, deeply, curling forward to find the spot that makes her voice crack.

“Maya — God — your mouth — I am — I cannot —”

Her words dissolve into sounds. The hand in my hair tightens to the point of beautiful pain. Her hips roll against my face in desperate, rhythmic waves and I hold on — anchored between her thighs, my mouth sealed against her, my fingers stroking deep — and I feel her climb. Feel the tension coil through her body, her stomach going rigid, her breath cutting to sharp, staccato pulls.

“Come for me,” I whisper against her. “Let the whole lake hear you.”

She does.

She comes with a scream that echoes off the water — raw, unrestrained, the sound of a woman shattering completely. Her body arches off the dock, her back bowing, her thighs clamping around my head, her hand fisted in my hair so tight my eyes water. I feel her pulse against my tongue — hot, rhythmic, clenching around my fingers — and I hold her there, riding the wave, drawing it out, coaxing every last tremor from her body until she collapses, boneless and gasping, onto the dock.

I crawl up her body. She wraps around me — arms, legs, everything — and we lie tangled together on the dock, half-naked, sweating despite the cold air, breathing hard, grinning at the sky like two women who have just gotten away with something magnificent.

“We just had sex on a dock,” she says.

“We did.”

“In the open air. Under the stars. Where any bear or hiker or park ranger could have seen us.”

“The bears are asleep. The hikers are home. And any park ranger who stumbles across two women in love on a dock at midnight deserves what he finds.”

She laughs. That real laugh — the one that crinkles her eyes and shows the gap between her teeth that she is self-conscious about and I find devastating. I press my face into her neck and breathe her in — sandalwood and sweat and sex and the warm, specific scent that is purely, irreducibly Nadia — and I think about how I almost missed this. How I almost spent my whole life performing a version of desire that never fit, loving people I was supposed to love, reaching across empty beds in the dark for someone I could not name.

I can name her now.

“Round two inside?” she asks. Her voice is rough and warm and her hand is tracing lazy circles on the small of my back. “The loft has a bed and I would like to do things to you that require a mattress.”

“What kind of things?”

She leans in. Puts her lips against my ear. Tells me. In detail. Graphic, specific, filthy detail that makes my face go hot and my core clench and my toes curl against the dock boards.

I am off the dock and halfway up the trail before she finishes the sentence.


Thank you for reading the bonus chapter. If you loved Maya and Nadia’s story, a review means the world.


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